Monday, March 13, 2017

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CORY WEAVER/S.F. OPERAItalian soprano Anna Caterina Antonacci inhabited the anguish of a rejected lover in her superb performance of Poulenc OPERA
Italian soprano Anna Caterina Antonacci inhabited the anguish of a rejected
lover in her superb performance of Poulencs La Voix Humaine for SF Opera
Lab. Originally scored for voice and orchestra, La Voix Humaine ชุดนอนไม่ได้นอน is presented here in Poulencs own piano version, played with precision and sensitivity by American pianist Donald Sulzen. The production is simple but effective. Antonacci, clad in chic Parisian nightwear, moved between a table and chair to a scattering of pillows on the floor, tethered to a bright orange phone throughout. A large black and white scene of Paris, seen through a rain-spattered window, served as backdrop, with supertitles projected in easy-to-read type alongside the image. Saturdays program, which repeats through March 17, began with selections from the French art song repertoire. Antonacci, making her first appearance in a form-fitting slate-grey gown, demonstrated her affinity for Berlioz in the composers La mort dOphelie. It was a hauntingly beautiful performance, and the soprano followed it with vivid traversals of Debussys Chansons de Bilitis and Poulencs La Fraicheur et le Feu. Sung with radiant sensuality and brilliantly accompanied by Sulzen, the heightened emotion of these works made an ideal introduction to the evenings main event. Introduced just over a year ago with a performance of Schuberts Winterreise sung by German baritone Matthias Goerne, SF Opera Lab has emerged one of the most exciting new developments on the Bay Area music scene. Now in its second season in the 299-seat Taube Atrium Theater, the series showcases vocal music in an intimate environment with exceptional sound quality. Still to come this season is a performance by the Grammy Award-winning octet Roomful of Teeth (April 23), and ChamberWORKS, featuring the San Francisco Opera Orchestra in an evening of music and song (April 27). Contact Georgia Rowe at growe@pacbell.net.

For the original version including any supplementary images or video, visit http://www.mercurynews.com/2017/03/12/antonacci-thrills-as-the-spurned-woman-in-poulencs-la-voix-humaine-at-sf-opera-lab/

Others members of his campaign team went on radio to deliver a call for unity, saying victory was still feasible. "The page has turned," Bruno Retailleau, Fillon's campaign coordinator, told Radio Classique. Fillon, at one point the favorite, has sunk to third place in opinion polls as he faces an investigation into allegations he paid his wife Penelope hundreds of thousands of euros of public funds for doing very little work as his parliamentary assistant. He denies wrongdoing. The former prime minister now faces the prospect of being knocked out in the first round on April 23, leaving independent centrist Emmanuel Macron and far-right candidate Marine Le Pen to contest a run-off two weeks later. Investors have been unsettled by the possibility of a win for Le Pen, who wants to take France out of the euro zone. UNITY CALL Media reports said that the handful of key party members who thrashed out the deal to rally behind Fillon on Monday secured a pledge that he would temper his ultra-conservative strategy and accommodate centrists by working closely with a more moderate member of his party, Francois Baroin, a former finance minister. Retailleau declined to say whether the stick-with-Fillon deal had conditions. In legal terms The Republicans have no way to stop Fillon from standing despite the damage his campaign has suffered from the scandal, which has prompted some key aides to resign. France's constitutional court on Monday issued a reminder that once a candidate has registered the necessary sponsors, only he or she has the power to withdraw. With those sponsors already in place, the 63-year-old Fillon can run come what may, even though his party could select a new candidate to run against him.

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